1 00:00:16,149 --> 00:00:20,570 Men sizdan so'rashdan boshlamoqchiman "rejissyorlik" atamasini qanday aniqlaysiz. 2 00:00:20,690 --> 00:00:25,359 "Rejissyorlik" - uni qanday atamalar bilan ta'riflagan bo'lardingiz? 3 00:00:29,399 --> 00:00:31,649 Film rejissyorligi... 4 00:00:35,270 --> 00:00:37,899 Xo'sh... Bir direktor aytdi 5 00:00:38,020 --> 00:00:43,100 kino rejissyori kimdir Kimning hech qachon o'ylashga vaqti yo'q, 6 00:00:43,229 --> 00:00:45,560 barcha muammolar tufayli. 7 00:00:45,689 --> 00:00:51,820 Menimcha, bu eng yaqin ta'rifiga erishish mumkin. 8 00:01:12,599 --> 00:01:15,930 - U shunday kiradi... - To'g'ri. 9 00:01:18,519 --> 00:01:21,189 Keyin u shu erda turadi ... 10 00:01:21,310 --> 00:01:23,810 FOYGA OLISHNING BIRINCHI KUNI/TECH 11 00:01:23,939 --> 00:01:27,650 ...bir zum to‘xtab, va keyin u shunday aylanadi. 12 00:01:28,900 --> 00:01:31,359 - Xayrli tong, Bibi azizim. - Tong. 13 00:01:32,900 --> 00:01:36,819 Keyin shifokor keladi. 14 00:01:36,939 --> 00:01:40,359 - U erdan, uning orqasidan. - To'g'ri. 15 00:01:42,020 --> 00:01:45,349 U o'girilib, unga qarab ketadi. 16 00:01:45,479 --> 00:01:48,479 Biz uni suratga olamiz unga qarab harakatlanayotganda. 17 00:01:52,900 --> 00:01:55,229 Keyin siz va qizlar ... 18 00:01:55,349 --> 00:01:58,729 Lekin qanchalik porloq eshiklardan olasizmi? 19 00:01:58,849 --> 00:02:03,060 - Bu shunday yopiladi. - Ana o'sha. 20 00:02:03,189 --> 00:02:07,359 Keyin bizda kimdir bo'ladi bu xonaga kirish. 21 00:02:07,480 --> 00:02:10,439 Ular eshiklarni ochishadi ... 22 00:02:10,560 --> 00:02:15,349 Biz yorug'likni shiftdan o'chirishimiz mumkin. Shunday qilib, to'g'ridan-to'g'ri yorug'lik yo'q. 23 00:02:17,400 --> 00:02:23,110 - Bu yerda yorug'lik berasizmi? - Ha, bizda allaqachon sahna bor. 24 00:02:23,229 --> 00:02:27,479 - Salom! - Xayrli tong. 25 00:02:28,400 --> 00:02:30,530 LARS-OVE KARLBERG ISHLAB CHIQARISH MENEJERI 26 00:02:30,650 --> 00:02:32,229 Jahannam! 27 00:02:33,599 --> 00:02:37,389 Yaxshiyamki, siz qattiq tepmagansiz. Men ertalabdan beri xijolat tortdim ... 28 00:02:37,520 --> 00:02:40,810 - Kechasi yugurasizmi? - Ha. 29 00:02:40,939 --> 00:02:43,900 - Odatdagidek. - To'g'ri. 30 00:02:44,810 --> 00:02:50,310 Bu sizga kilogramm berishga yordam beradi. Men qo'ygan kilogramm - men uni yana yo'qotdim. 31 00:02:51,400 --> 00:02:52,729 Eshiting... 32 00:02:52,849 --> 00:02:54,599 KATINKA FARAGÓ DAVOMLILIK 33 00:02:54,729 --> 00:02:57,360 Biz chiqolmadikmi? va birinchi zarbani bajarasizmi? 34 00:02:57,479 --> 00:02:59,770 SVEN NYKVIST Kinematograf 35 00:02:59,900 --> 00:03:04,530 Tezroq chiqsak... Bizda bormi... 36 00:03:04,650 --> 00:03:07,900 - Bu ajoyib ko'rinadi, Bibi! - Ha, shunday emasmi? 37 00:03:08,020 --> 00:03:13,099 Bizda bormi Bibining kichkina oq mashinasi shu yerdami? 38 00:03:13,229 --> 00:03:16,150 Men shunchaki tekshiraman uning ko'zoynagi shu yerda. 39 00:03:16,270 --> 00:03:20,849 Menimcha, ular 8-xonada. Yo'q, kasalxonada. 40 00:03:20,979 --> 00:03:25,610 Yo'q. Faqat uning kelishi, bu qonli tuman hali ham u erda. 41 00:03:25,729 --> 00:03:27,729 Bibi! 42 00:03:27,849 --> 00:03:31,020 Bolalar! Bir daqiqa shu yerda, iltimos! 43 00:03:31,150 --> 00:03:33,860 - Stefan? - Stefan! 44 00:03:35,900 --> 00:03:38,780 - Stickan qayerda? - Bu tashqi ko'rinishmi? 45 00:03:38,900 --> 00:03:42,780 - Stickanni ushlang! - U soat to'qqizda shu yerda bo'ladi. 46 00:03:42,900 --> 00:03:47,939 Stickan? Unga ayt bu faqat uzoq zarba. 47 00:03:48,060 --> 00:03:51,979 Men birinchi sahnani suratga olmoqchiman bu ajoyib tumanda. 48 00:03:52,099 --> 00:03:56,229 Tashqi ko'rinish. Biz shunchaki ovozsiz suratga tushamiz. Kamera yuklanganmi? 49 00:03:56,349 --> 00:03:57,729 - Tayyor. - Ket! 50 00:04:00,900 --> 00:04:05,400 U bugun biz interyerlarni suratga olamiz deb o'ylagan edi - qanchalik xato qila olasiz? 51 00:04:16,230 --> 00:04:19,269 - Qaysi linza? - 50. 52 00:04:19,399 --> 00:04:23,730 Biz 75 dan foydalanishimiz mumkin va jahannam uzoq otish. 53 00:04:23,850 --> 00:04:25,980 Ammo keyin ... 54 00:04:28,480 --> 00:04:30,560 ...boshqa daraxt yo‘lda bo‘ladi. 55 00:04:30,689 --> 00:04:35,860 Bizda butun yo'l bor. Oh, biz uni boshdan-oyoq suratga olamiz. 56 00:04:36,560 --> 00:04:41,480 Men qulflangan zarbani xohlayman. Tuman va hamma bilan. 57 00:04:41,600 --> 00:04:44,850 - Bugun ob-havo ajoyib. - Yana aytasizmi? 58 00:04:44,980 --> 00:04:48,519 - Ob-havo ajoyib emasmi? - Ajoyib. 59 00:04:56,899 --> 00:05:02,730 Keling, hozir ko'raylik - ular u erda turishadimi? kamera qayerda turadi? 60 00:05:05,189 --> 00:05:07,569 U yerda. Endi ko'ramiz. 61 00:05:08,519 --> 00:05:12,769 Eshiting, bu kadrda Bibi haydayaptimi? U mashq qilishni xohlaydi. 62 00:05:12,899 --> 00:05:18,480 U o'ziga yoqqan hamma narsani mashq qila oladi. Faqat hamma tashqariga qarashga ishonch hosil qiling! 63 00:05:18,600 --> 00:05:22,560 Bunga harakat qilib ko'ring Bu yerda hech qanday mashina kelib to'xtab turishi. 64 00:05:22,689 --> 00:05:25,519 JERHARD KARLSSON ELEKTRIK 65 00:05:26,189 --> 00:05:29,439 Kabinalar yaxshi, tez yordam mashinalari. 66 00:05:29,560 --> 00:05:31,439 - Tezlikni oshiring. - Qayerdan? 67 00:05:31,560 --> 00:05:34,269 O'sha mashinaga o'tir. 68 00:05:34,399 --> 00:05:37,529 Keyin devorga uring va u erda to'xtang. 69 00:05:37,649 --> 00:05:40,569 Va shoshiling. 70 00:05:40,689 --> 00:05:46,019 - Moviy mikroavtobusdan boshlang. Koʻrdingizmi? - Ha. 71 00:05:46,149 --> 00:05:49,439 Yaxshi tezlikda turing. 72 00:05:49,560 --> 00:05:51,939 Tayyormisiz? 73 00:05:52,060 --> 00:05:53,810 Hayda! 74 00:06:07,600 --> 00:06:08,980 Kes! Yana! 75 00:06:09,480 --> 00:06:11,269 Hayda! 76 00:06:22,310 --> 00:06:24,769 STOP! Bibi! 77 00:06:25,649 --> 00:06:28,610 - Bir oz haydash kerak. - Nima? 78 00:06:28,730 --> 00:06:31,769 Siz biroz haydashingiz kerak. 79 00:06:31,899 --> 00:06:35,230 Bir oz yuring, men sizga ko'rsataman. 80 00:06:48,850 --> 00:06:51,180 Hozirgacha, ha! 81 00:07:00,980 --> 00:07:02,649 Unga ko‘rsatkich yetishmaydi. 82 00:07:02,769 --> 00:07:06,689 Bibi! Boshqalarni hozir bu yerdan olib chiqing. 83 00:07:06,810 --> 00:07:10,189 Bibi, sen yuqoriga haydashing kerak. 84 00:07:10,310 --> 00:07:15,389 Ushbu ko'zoynaklar uzoqni ko'ra olmaslik uchun mo'ljallangan. Ular meni yanada yuqoriroqman deb o'ylashga majbur qiladi. 85 00:07:15,519 --> 00:07:20,310 - Hamma narsa loyqa. - Ular kuchli. 86 00:07:21,350 --> 00:07:24,730 Ularni sinab ko'ring. Men u erdaman deb o'ylayman ... 87 00:07:25,649 --> 00:07:27,610 Ketishga tayyormisiz? 88 00:07:28,100 --> 00:07:29,180 Kamerani aylantiring! 89 00:07:29,310 --> 00:07:30,600 YAN SODERMAN KAMERAMAN YORDAMCHI 90 00:07:32,939 --> 00:07:34,730 Hayda! 91 00:07:50,730 --> 00:07:53,310 Kesish. Ikkisini chop eting. Hammaga rahmat! 92 00:07:53,439 --> 00:07:56,149 Endi bu erda otish uchun ... 93 00:07:56,269 --> 00:08:01,560 Kino rejissyorligi o'zgartirishdir birovning tasavvuri, 94 00:08:01,689 --> 00:08:04,769 g'oyalar, orzular va umidlar 95 00:08:04,899 --> 00:08:12,069 bu his-tuyg'ularni aks ettiruvchi tasvirlarga aylantiradi tomoshabinga 96 00:08:12,189 --> 00:08:16,399 mumkin bo'lgan eng samarali tarzda. 97 00:08:16,519 --> 00:08:22,439 Siz qandaydir shaklni yaratasiz ... 98 00:08:24,100 --> 00:08:26,269 ... vositaning ba'zi shakllari: 99 00:08:26,399 --> 00:08:30,439 O'sha uzun film chizig'i, barcha turdagi mashinalar orqali, 100 00:08:30,560 --> 00:08:36,600 o'z orzularini... targ'ib qiladi... 101 00:08:37,730 --> 00:08:44,059 ... va boshqa odamlarga tasvirlar. 102 00:08:44,190 --> 00:08:48,649 Ammo rejissyorlik texnik tomoni ham bor. 103 00:08:50,149 --> 00:08:54,529 Keyin eshikni qarsillatib yoping va do'zax kabi tez bo'ylab chiziqcha. 104 00:08:54,649 --> 00:08:58,940 Va siz eshikni ochasiz. Nega u allaqachon ochiq edi? Ko'raylikchi. 105 00:08:59,059 --> 00:09:01,519 Xuddi shunday. 106 00:09:01,649 --> 00:09:03,940 Qaytib kel, Bibi. 107 00:09:04,730 --> 00:09:07,730 Ichkariga shoshiling. To'g'ri... 108 00:09:11,519 --> 00:09:13,769 Xuddi shunday. Tushundim? 109 00:09:14,350 --> 00:09:16,480 Bu sizniki... 110 00:09:17,190 --> 00:09:22,519 Siz va butun bir guruh odamlar, 111 00:09:22,649 --> 00:09:28,440 aktyorlar va texniklar va katta miqdordagi mashinalar ... 112 00:09:29,850 --> 00:09:36,309 Siz mahsulot yaratasiz - foydali artefakt, tovar. 113 00:09:37,059 --> 00:09:40,730 Yoki, ehtimol, san'at asari, ta'mga ko'ra. 114 00:09:42,980 --> 00:09:47,360 Bu aslida nimani anglatadi, Bu yuqoridagilarning hammasimi yoki hech biri emasmi ... 115 00:09:47,480 --> 00:09:53,610 Menga javob berish juda qiyin, Garchi men 27 yildan beri shug'ullanaman. 116 00:09:56,940 --> 00:09:58,440 Kes! 117 00:09:58,559 --> 00:10:01,389 Xo'sh? Yaxshi qabulmi? 118 00:10:01,519 --> 00:10:04,559 Boshqa olishmi? Sizning oxirgi ramkangiz qanday edi? 119 00:10:05,100 --> 00:10:09,929 Sizningcha, shunday hujjatli filmda kino rejissyorligini ta'riflash mumkinmi? 120 00:10:10,059 --> 00:10:15,350 Men bunday deb o‘ylamayman. Siz qila olasiz muayyan yuzaki tushunchalarni taqdim etish 121 00:10:15,480 --> 00:10:20,190 Biz nima bilan shug'ullanayotganimizga kelsak, studiya ichiga tez qarash bilan... 122 00:10:21,230 --> 00:10:24,360 Siz intervyu olishingiz mumkin aktyorlar, rejissyorlar... 123 00:10:25,059 --> 00:10:29,980 Lekin eng ichki mexanika kino rejissyorligi haqida ... 124 00:10:31,809 --> 00:10:36,309 Menimcha, bunga kirish mumkin emas. Men o'zimni tasvirlash qiyin. 125 00:10:36,440 --> 00:10:41,440 O'nta turli direktordan so'rang va siz o'n xil javob olasiz. 126 00:10:42,559 --> 00:10:45,730 Mening filmlarimning o'zagi, 127 00:10:45,850 --> 00:10:50,389 original, homilador fikr 128 00:10:50,519 --> 00:10:57,690 bu tugallangan filmga olib keladi va bu meni umuman boshlashimga majbur qiladi, 129 00:10:57,809 --> 00:11:03,019 o'ylash, bu fikr bilan o'ynash, bu haqda orzu qilish ... 130 00:11:03,149 --> 00:11:09,480 Bu juda kichikdan boshlanishi mumkin, g'alati darajada ahamiyatsiz narsa. 131 00:11:09,600 --> 00:11:17,389 Personani oling. Bir kuni to'satdan ko'rdim, Mening xayolimda ikkita ayol 132 00:11:17,519 --> 00:11:22,350 katta shlyapalarda birga o'tirganlar, qo'llarini solishtirish. 133 00:11:23,269 --> 00:11:27,559 Ulardan biri gapirmayotganini tasavvur qildim, lekin ikkinchisi qildi. 134 00:11:29,690 --> 00:11:32,399 {\i1}Qo‘llarni solishtirishni bilasiz omadsizlik keltiradimi?{\i0} 135 00:11:32,519 --> 00:11:37,600 Bunday kichik fikr qayta-qayta hosil bo'ladi. 136 00:11:37,730 --> 00:11:42,980 Nega qaytayotganiga hayronsan, nima uchun u o'zini takrorlaydi. 137 00:11:43,100 --> 00:11:46,139 Go'yo meni urayotgandek, 138 00:11:46,269 --> 00:11:49,980 u bilan shug'ullanishimni xohlaydi. 139 00:11:50,100 --> 00:11:55,350 Siz tushunasizki, bu tasvir ortida yashiringan narsa bor, 140 00:11:55,480 --> 00:11:58,980 go'yo eshikka mahkamlangan. 141 00:11:59,100 --> 00:12:02,730 Eshikni ehtiyotkorlik bilan ochsangiz, u uzoq parchani ochib beradi, 142 00:12:02,850 --> 00:12:08,769 qaysi kengroq va kengroq bo'ladi. Ikkala tomonda ham sahnalashtirilgan sahnalarni ko'rasiz. 143 00:12:09,769 --> 00:12:12,440 Odamlar gapira boshlaydi. 144 00:12:12,559 --> 00:12:14,889 Vaziyatlar rivojlanadi. 145 00:12:17,230 --> 00:12:20,230 Bu amal qilishi kerak san'at ijodining barcha turlariga. 146 00:12:20,350 --> 00:12:25,730 Film, ehtimol, ingl. 147 00:12:29,649 --> 00:12:36,860 Fikr rivojlanadi ritm va ko'pincha yorug'lik shaklida. 148 00:12:39,850 --> 00:12:42,429 O'sha tasvirga qaytsak shaxsan... 149 00:12:43,149 --> 00:12:49,570 Quyosh nuri pastga tushdi bu somon shlyapalar orasida 150 00:12:49,690 --> 00:12:52,360 qizlarning yuzlariga etib borish uchun. 151 00:12:52,480 --> 00:12:55,230 O'sha sahnada quyosh nuri kuchli edi. 152 00:13:00,100 --> 00:13:06,059 Va qanchalik engilligi o'ziga xosdir har doim ajralmas rol o'ynaydi 153 00:13:06,190 --> 00:13:09,610 bu asl tajribada. 154 00:13:09,730 --> 00:13:16,809 Rasm ko'pincha juda aniq unga o'ziga xos akustik tuyg'u bilan. 155 00:13:21,149 --> 00:13:24,529 {\i1}Qo‘llarni solishtirishni bilasiz omadsizlik keltiradimi?{\i0} 156 00:13:35,769 --> 00:13:40,559 Odatda, men o'z fikrimni olaman 157 00:13:40,690 --> 00:13:44,269 keyin aktyorlardan biridan so‘rayman 158 00:13:44,399 --> 00:13:49,529 agar ular u yoki bu sanalarda ishlay olsalar Olti oy yoki bir yil ichida ... 159 00:13:50,899 --> 00:13:53,070 ... men bilan ishlash, ya'ni. 160 00:13:53,190 --> 00:13:56,860 Ular yo vaqtlari borligini aytishadi yoki ular yo'q. 161 00:13:56,980 --> 00:14:00,110 Va o'sha paytda men odatda his qilmayman Men har qanday narsani qo'sha olaman. 162 00:14:00,230 --> 00:14:03,690 Yoki men ularga juda kam ma'lumot beraman. 163 00:14:03,809 --> 00:14:08,690 Shunda men ko'pincha o'sha aktyorni eslayman 164 00:14:08,809 --> 00:14:11,309 Men ularning qismini yozayotganimda. 165 00:14:12,519 --> 00:14:15,269 Buning sababi, qism ... 166 00:14:17,190 --> 00:14:20,610 ... aktyor bilan juda chambarchas bog'langan. 167 00:14:20,730 --> 00:14:24,690 Keyin material yig'ishni boshlayman daftarlarda. 168 00:14:26,690 --> 00:14:31,570 Va men bir nechta narsalarni yozaman - uzoq vaqt davomida bo'lishi mumkin. 169 00:14:33,190 --> 00:14:37,360 O'sha bosqichda hammasi joyida mas'uliyatsiz va o'ynoqi. 170 00:14:37,480 --> 00:14:41,309 Keyin sizning jadvalingiz bor. 171 00:14:41,440 --> 00:14:46,019 Men odatda dam olishimni bilaman taxminan sakkiz hafta davomida ishdan. 172 00:14:46,149 --> 00:14:51,730 Men ishlab chiqarishdan ozodman, bilaman Mening qiyin skript davrim oldinda - 173 00:14:51,850 --> 00:14:54,350 skriptni yozish kerak bo'lganda. 174 00:14:54,480 --> 00:15:00,059 Men bir miqdor to'plagan bo'laman "Mehnat daftarlari" ning hozir ma'lum. 175 00:15:03,899 --> 00:15:06,610 Men materialni zichlashdan boshlayman. 176 00:15:08,059 --> 00:15:12,600 Va bu juda zerikarli davr. 177 00:15:13,519 --> 00:15:19,559 Bu ishni boshlashni nazarda tutadi har kuni ertalab ma'lum bir vaqtda 178 00:15:20,649 --> 00:15:26,070 va ma'lum soatlar uchun ishlash ma'lum miqdordagi tanaffuslar bilan. 179 00:15:27,350 --> 00:15:29,980 O'sha kuni va boshqa kunlarda, 180 00:15:30,100 --> 00:15:33,519 haftada bir kun dam olish bilan. 181 00:15:33,649 --> 00:15:35,779 Ofis ishi masalasi. 182 00:15:36,769 --> 00:15:41,730 Bu amalga oshgach, olti yoki sakkiz hafta o'tgach, Menda tugallangan skript bor. 183 00:15:42,309 --> 00:15:47,809 Va skript topshiriladi jalb qilingan eng yaqin hamkorlarga. 184 00:15:47,940 --> 00:15:52,070 Ular o'qiydilar. Keyin yig'ilamiz. 185 00:15:53,019 --> 00:15:56,559 Bu dastlabki uchrashuv uchun. 186 00:15:56,690 --> 00:16:01,190 Men ularga xabar berdim filmimni qanday tasavvur qilaman. 187 00:16:01,309 --> 00:16:04,519 Va ular menga ruxsat berishdi ularning reaktsiyalari. 188 00:16:05,100 --> 00:16:09,139 U to'liq jarrohning ko'tarilishi bilan kiradi, qon bilan qoplangan 189 00:16:09,269 --> 00:16:13,850 va do'zax qayerdaligini so'raydi Buning uchun qo'llanma ... 190 00:16:15,100 --> 00:16:18,980 Keyin ularning har biri boshlanadi, 191 00:16:19,100 --> 00:16:22,309 o'zlarining maxsus hunarmandchiligi doirasida, topshiriqlarini bajarish uchun. 192 00:16:22,440 --> 00:16:24,110 P.A. LUNDGREN ISHLAB CHIQARISH DIZAYN 193 00:16:24,230 --> 00:16:29,309 Keyin, bir tomondan, qo'shma uchrashuvlarimiz bor 194 00:16:29,440 --> 00:16:32,360 va boshqa tomondan, individual uchrashuvlar. 195 00:16:32,480 --> 00:16:39,059 Keyin ish davom etadi. Aktyorlar juda erta bosqichda olib kelinadi. 196 00:16:39,190 --> 00:16:42,519 Biz muhokama qilamiz qismlar qanday ijro etilishi kerak, 197 00:16:42,649 --> 00:16:46,570 sanalar, amaliy masalalar, kostyumlar, bo'yanish. 198 00:16:47,399 --> 00:16:51,320 Men ikki oylik tayyorgarlikni kutaman film suratga olish uchun. 199 00:16:52,100 --> 00:16:56,769 Ishimiz tugagach tayyorgarlik davri, 200 00:16:56,899 --> 00:17:02,480 suratga olish rejasi tuzilgan, eng so'nggi tafsilotiga qadar - 201 00:17:02,600 --> 00:17:04,269 jadval va estetik nuqtai nazardan. 202 00:17:04,400 --> 00:17:06,779 JOYIYLASHTIRISH SKUTING/VISBY 203 00:17:06,900 --> 00:17:08,690 Biz nima qilishimizni bilamiz. 204 00:17:22,150 --> 00:17:26,480 Bu mutlaqo yaxshi. Siz otishingiz mumkin bu erda qancha xohlasangiz. 205 00:17:28,480 --> 00:17:30,480 Biz mumkin edi... 206 00:17:31,349 --> 00:17:34,430 - U ularni derazadan ko'radi. - Ha. 207 00:17:37,769 --> 00:17:41,309 Keling, tekshirib ko'ramiz qancha ko'rishimiz mumkin. 208 00:17:55,400 --> 00:17:57,400 Bu juda yaxshi. 209 00:17:57,519 --> 00:17:59,900 Harakat! Bibi, ket! 210 00:18:00,690 --> 00:18:02,480 FILM OLISH/VISBY 211 00:18:02,599 --> 00:18:04,519 Ketganingizdek tezroq. 212 00:18:04,650 --> 00:18:06,109 Salom, Mariya. 213 00:18:17,099 --> 00:18:20,390 Shunday qiling. 214 00:18:22,150 --> 00:18:25,029 Siz shunchalik uzoq yurasiz. 215 00:18:25,150 --> 00:18:27,480 - Bu yerga? - Aynan. Bo'ldi shu. 216 00:18:27,599 --> 00:18:32,519 Siz onam va uni ko'rishga harakat qilasiz. Keyin yurishni boshlaysiz. 217 00:18:49,769 --> 00:18:52,519 382, 2ni oling, ikkita kamera aylanmoqda. 218 00:18:54,019 --> 00:18:55,519 Harakat! 219 00:20:55,480 --> 00:21:01,150 Ingmar nimani yaxshiroq qiladi Men ishlagan har kimga qaraganda, 220 00:21:01,269 --> 00:21:06,190 sahna ko'rsatmalarini berishdir Bu shunchaki yo'nalishlar emas. 221 00:21:06,309 --> 00:21:13,230 Ular ritmik eskiz qismidan. 222 00:21:13,900 --> 00:21:19,609 Ingmarning sahna ko'rsatmalarini tomosha qilish butun o'yin harakati uchun, masalan, 223 00:21:19,730 --> 00:21:22,150 Menga eng maftunkor. 224 00:21:22,269 --> 00:21:27,059 Bu nafaqat haqida geografik joylashuv, 225 00:21:27,190 --> 00:21:31,190 bu mebel qismiga qaerga o'tish kerak, 226 00:21:31,309 --> 00:21:36,690 qayerda o'tirish kerak va hokazo vaqti-vaqti bilan chiziqni etkazib berish. 227 00:21:36,809 --> 00:21:40,940 U nima qiladi, ko'rsatmalar beradi 228 00:21:41,059 --> 00:21:44,809 harakatning tempi va ritmi haqida. 229 00:21:44,940 --> 00:21:47,769 Musiqiy o'xshatishlardan foydalanish oson. 230 00:21:47,900 --> 00:21:53,480 Siz ongsizsiz musiqa terminologiyasi. 231 00:21:53,599 --> 00:21:56,730 Qancha barni hisoblashni bilasiz, 232 00:21:56,849 --> 00:22:00,599 harakat paytida, yoki urg'udan oldin. 233 00:22:00,730 --> 00:22:06,059 Agar siz birinchi ko'rsatmani tushunsangiz 234 00:22:06,190 --> 00:22:09,609 shu jumladan Ingmarning sahna yo'nalishlarida, 235 00:22:09,730 --> 00:22:15,359 ko'p narsani tushungan bo'lasiz Ingmar sizning tarafingizdan nimani xohlaydi. 236 00:22:15,480 --> 00:22:19,059 Bu meni aktyor sifatida beradi juda ko'p erkinlik. 237 00:22:19,190 --> 00:22:24,519 Siz hech qachon ortiqcha baholay olmaysiz ... 238 00:22:27,019 --> 00:22:32,349 ... yoki hissani adekvat baholang aktyorlar. Bu eng muhimi. 239 00:22:32,480 --> 00:22:36,400 Sizga faqat aktyorlar kerak. Va mashinalar. 240 00:22:36,519 --> 00:22:44,480 Buning ortida hamma narsa ikkinchi darajali ahamiyatga ega. 241 00:22:45,940 --> 00:22:49,650 Aktyor o'zini yaxshiroq ijro etadi... 242 00:22:51,440 --> 00:22:55,400 ...uning ishga tushirish maydonchasi qanchalik yaxshi ishlaydi. 243 00:22:55,519 --> 00:22:59,809 Biroq, aktyorlarning yuzlari, sovg'alari, ularning tasavvurlari, 244 00:22:59,940 --> 00:23:04,940 ularning rag'batlantirish qobiliyati o'zlari va bir-birlari va men - 245 00:23:05,059 --> 00:23:07,269 bularning barchasi eng muhimi. 246 00:23:08,849 --> 00:23:13,230 Men aslida bilmayman bu nima bo'ladi ... 247 00:23:14,440 --> 00:23:16,400 ...biz birga ishlaganimizda. 248 00:23:16,519 --> 00:23:20,099 Shunga qaramay, bu haqiqat, Menda bir nechta texnik shablonlar bor. 249 00:23:20,230 --> 00:23:22,730 Bizda aniq... 250 00:23:26,809 --> 00:23:28,440 ... usullari. 251 00:23:28,559 --> 00:23:31,599 Bu, asosan, texnik ish. 252 00:23:33,769 --> 00:23:35,559 Shunga qaramay... 253 00:23:37,599 --> 00:23:41,480 ...Men deyarli doim shunday hayratdaman 254 00:23:41,599 --> 00:23:46,140 maxsus narsa qachon to'satdan suratga olish maydonida sodir bo'ladi. 255 00:23:47,230 --> 00:23:50,609 Agar biror narsa mutlaqo mantiqsiz bo'lsa, 256 00:23:50,730 --> 00:23:55,150 mutlaqo sirli narsa, kutilmaganda ifodalangan, yuzaga chiqadi. 257 00:23:57,940 --> 00:24:01,690 Bu ne'matga ruxsat berilgan u erda kamera bilan bo'lish - 258 00:24:01,809 --> 00:24:04,890 kerakli joyda kamera bilan, 259 00:24:05,019 --> 00:24:08,900 sahnani plyonkaga olish hech qanday texnik nosozliklarsiz. 260 00:24:09,849 --> 00:24:14,640 Va hech qanday kinolaboratoriya buni buzmaydi. 261 00:24:17,650 --> 00:24:20,400 Negativda tirnalish yo'q. 262 00:24:22,059 --> 00:24:24,849 Vaqti-vaqti bilan bu sodir bo'ladi. 263 00:24:26,559 --> 00:24:30,349 Bu qanday yoki nima uchun paydo bo'ladi ... 264 00:24:33,309 --> 00:24:36,059 Rostini aytsam, 265 00:24:36,190 --> 00:24:38,190 Men aslida bilmayman. 266 00:24:39,230 --> 00:24:44,650 Bu shart emas men bilan aloqasi bor. 267 00:24:44,769 --> 00:24:49,400 Shuningdek, aktyor bilan ham, 268 00:24:49,519 --> 00:24:52,559 na skript. 269 00:24:52,690 --> 00:24:55,440 Bu ko'proq narsa ... 270 00:24:58,769 --> 00:25:02,019 ... bu mutlaqo mantiqsiz. 271 00:25:02,150 --> 00:25:07,690 Qism va posilka bo'lgan narsa aktyorlik faoliyatining mohiyati. 272 00:25:10,980 --> 00:25:15,900 Voqea sodir bo'ladigan narsa. Shukur qiling Siz u erda kamerangiz bilan bo'lgansiz. 273 00:25:17,650 --> 00:25:20,400 {\i1}Liv Ullmann "Annaning oʻtishi" filmida.{\i0} 274 00:25:20,519 --> 00:25:23,650 {\i1}Andreas va menga yoqdi, deb o‘ylagan edim{\i0} 275 00:25:23,769 --> 00:25:26,690 {\i1}mutlaqo idealistik nikoh, ishqalanishsiz.{\i0} 276 00:25:26,809 --> 00:25:28,890 {\i1}Ammo unday emas edi.{\i0} 277 00:25:29,019 --> 00:25:31,900 {\i1}Bizda keskin janjallar bor edi.{\i0} 278 00:25:32,019 --> 00:25:34,059 {\i1}Ammo biz hech qachon bir-birimizni yuqtirmaganmiz{\i0} 279 00:25:34,190 --> 00:25:36,900 {\i1}shafqatsizlik yoki shubha bilan.{\i0} 280 00:25:39,349 --> 00:25:41,769 {\i1}Biz har doim halol edik.{\i0} 281 00:25:42,650 --> 00:25:45,779 {\i1}Aldovdan asar ham yo‘q munosabatlarimizda.{\i0} 282 00:25:46,809 --> 00:25:49,980 Men katta imonliman 283 00:25:50,099 --> 00:25:57,390 aktyorning yuzida filmdagi eng hayajonli element. 284 00:25:58,559 --> 00:26:01,690 Bu har doim uyg'otish masalasidir. 285 00:26:01,809 --> 00:26:06,390 Men hamma narsaga boraman, mavjud bo'lgan har qanday usuldan foydalaning, 286 00:26:06,519 --> 00:26:12,019 odamlarni hissiy holatga keltirish. 287 00:26:15,059 --> 00:26:18,059 Va men xulosaga keldim 288 00:26:18,190 --> 00:26:22,190 bu yaxshi usul, Balki eng yaxshisi, 289 00:26:22,309 --> 00:26:25,190 aktyorga katta erkinlik berishdir. 290 00:26:26,730 --> 00:26:31,650 Qolaversa, aktyorlar bu borada muvaffaqiyat qozonganga o'xshaydi. 291 00:26:33,059 --> 00:26:37,309 Ular o'zlarining eng kuchli boyliklarini bilishadi ularning yuzlari, tanalari, 292 00:26:37,440 --> 00:26:40,690 ovozlar, ko'zlar, yuz ifodalari, og'izlar ... 293 00:26:40,809 --> 00:26:45,019 Ular bularning barchasidan to'liq foydalanishlari mumkin. 294 00:26:47,269 --> 00:26:49,599 {\i1}Bizga Eva va Elisning uyi ijaraga berilgan edi.{\i0} 295 00:26:52,730 --> 00:26:55,690 {\i1}Bu yakshanba edi. Biz hozirgina tushlik qilgan edik.{\i0} 296 00:26:56,269 --> 00:26:57,849 {\i1}Andreas uxlashni xohladi.{\i0} 297 00:26:57,980 --> 00:27:01,809 {\i1}Lekin men cherkov xarobalariga bormoqchi edim.{\i0} 298 00:27:01,940 --> 00:27:05,230 {\i1}Men yo‘limni oldim – biz jo‘nab ketdik.{\i0} 299 00:27:08,269 --> 00:27:11,480 {\i1}Andreas biroz ichdi, shuning uchun u menga haydashga ruxsat berdi.{\i0} 300 00:27:13,519 --> 00:27:15,809 {\i1}Men umuman tez haydamasdim.{\i0} 301 00:27:16,730 --> 00:27:19,309 {\i1}Kayfiyatimiz juda yaxshi edi.{\i0} 302 00:27:21,519 --> 00:27:23,690 {\i1}Yo‘l muzli edi.{\i0} 303 00:27:23,809 --> 00:27:26,519 {\i1}Mashina u yoqdan bu tomonga sirpanib ketdi.{\i0} 304 00:27:26,650 --> 00:27:29,109 {\i1}Andreas rulni ushlab olishga urindi.{\i0} 305 00:27:30,230 --> 00:27:32,980 {\i1}Ammo biz mashinadan chiqib ketdik ariqga boradigan yo'l,{\i0} 306 00:27:33,099 --> 00:27:36,230 {\i1}quruq tosh devor orqali, jasadga.{\i0} 307 00:27:40,190 --> 00:27:42,980 {\i1}Men kelganimda,{\i0} 308 00:27:43,099 --> 00:27:45,980 {\i1}Men mashina vayronalarini ko‘rdim{\i0} 309 00:27:46,099 --> 00:27:49,890 {\i1}va tomog‘i kesilgan erkak,{\i0} 310 00:27:50,019 --> 00:27:53,519 {\i1}tanasi osilgan old oynadan yarmigacha.{\i0} 311 00:27:55,019 --> 00:27:59,690 {\i1}Uzoq boʻlmaganda kichkina bola yotibdi - mashinadan uloqtirildi.{\i0} 312 00:28:01,150 --> 00:28:04,319 {\i1}Uning boshi gʻalati burchak ostida edi.{\i0} 313 00:28:08,599 --> 00:28:12,309 {\i1}Men o‘ylaganimni eslayman bu dahshatli baxtsiz hodisa edi...{\i0} 314 00:28:13,730 --> 00:28:18,019 {\i1}...hech kim yo‘q o'sha kambag'allarga yordam berish uchun.{\i0} 315 00:28:21,849 --> 00:28:23,890 {\i1}Men yo‘lga chiqdim{\i0} 316 00:28:24,019 --> 00:28:28,809 {\i1}va men bir tomondan og'riqni his qildim, va oyog'imda.{\i0} 317 00:28:28,940 --> 00:28:31,769 {\i1}Oyog‘imni sudrab ketayotganimni his qildim.{\i0} 318 00:28:33,349 --> 00:28:36,019 {\i1}Keyin men qon ko‘rdim.{\i0} 319 00:28:36,150 --> 00:28:38,029 {\i1}Hamma joyda qon.{\i0} 320 00:28:39,230 --> 00:28:42,269 {\i1}Suyak paypog‘imga yopishib qoldi.{\i0} 321 00:28:48,099 --> 00:28:50,890 {\i1}Ular bizni bir necha soatdan keyin topishdi.{\i0} 322 00:28:56,769 --> 00:28:59,809 {\i1}Hayot bunday bo'ladi deb o'ylamagan edim.{\i0} 323 00:29:03,769 --> 00:29:07,269 {\i1}Men hayotni o‘ylamagan edim kundalik azob bo'lardi.{\i0} 324 00:29:07,400 --> 00:29:13,609 Men yillar davomida sotib oldim puxta ishlab chiqilgan ish uslubi. 325 00:29:15,230 --> 00:29:20,769 Masalan, Faro orolida Men bir marta eski qayiqni ko'rdim, 326 00:29:21,730 --> 00:29:25,859 yuz yil oldin qurilgan. Bu go'zallik narsa edi. 327 00:29:25,980 --> 00:29:30,809 - dedi uning egalari u juda dengizga yaroqli edi. 328 00:29:31,940 --> 00:29:34,569 Ular qadimgi baliqchilar edi. 329 00:29:35,440 --> 00:29:38,400 Bu qayiq qurilgan edi 330 00:29:38,519 --> 00:29:44,730 chunki oroldagi boshqa barcha qayiqlar qurilgan edi so'nggi yuz yil ichida. 331 00:29:44,849 --> 00:29:47,640 U qurilgan maxsus ko'rsatmalarga muvofiq 332 00:29:47,769 --> 00:29:52,480 Bu, tabiiyki, rivojlangan edi ko'p asrlik tajriba 333 00:29:52,599 --> 00:29:59,480 qayiqlarning iqlimga qanday qarshilik ko'rsatishi haqida 334 00:29:59,599 --> 00:30:03,730 va qiyinlarga u erda dengiz sharoitlari. 335 00:30:03,849 --> 00:30:11,269 Men shuni aytmoqchimanki, 27 yillik direktorlik faoliyatim davomida Men o'zimga qayiq yasadim 336 00:30:11,400 --> 00:30:16,940 bu meni qiyinchiliklarga olib keladi bu film rejissyorligini tashkil qiladi. 337 00:30:17,650 --> 00:30:23,779 Men qurdim amaliy "mashina", usul, 338 00:30:23,900 --> 00:30:26,609 Men har safar foydalanaman. 339 00:30:26,730 --> 00:30:32,900 Ammo bu usul tez moslasha olishi kerak 340 00:30:33,019 --> 00:30:36,940 turli mavzularga Bu mening filmlarim bilan bog'liq. 341 00:30:38,269 --> 00:30:46,849 Asosan, bu chuqur quduq Men ishlatadigan ishlab chiqilgan texnika. 342 00:30:48,940 --> 00:30:51,900 U tekis eshikni ochadi o'z kaliti bilan. 343 00:30:52,019 --> 00:30:53,769 "TECHNIK" SCRIPTASIDAN 344 00:30:53,900 --> 00:30:57,569 Bu bo'sh va jim. Devid yuklarini yig‘ib, jo‘nab ketdi. U ketdi. Chapga. 345 00:30:57,690 --> 00:31:01,440 Karavotga o'tirdi, u iflos derazadan tashqariga qaraydi. 346 00:31:01,559 --> 00:31:05,269 Qarama-qarshi tomonda kulrang qatorli derazalar bor, ularning qora bo'shliqlari bilan. 347 00:31:05,400 --> 00:31:08,779 Mana, tozalanmagan to'shak, eskirgan kreslo. 348 00:31:08,900 --> 00:31:12,730 U shippaklarini unutgan, stol tomonidan tashlab ketilgan. 349 00:31:12,849 --> 00:31:16,180 Oshxona tartibsiz. Uning ketishi shoshilinch edi. 350 00:31:16,309 --> 00:31:19,769 U unga qaraydi. Xat yo'q. Xabar yo'q. 351 00:31:19,900 --> 00:31:22,730 Kalitlar stol ustida asosiy xonada. 352 00:31:22,849 --> 00:31:28,769 Jismoniy og'riq uning oyoq-qo'llariga tarqaladi. Ko'zlari qichiydi. Nafas olishda qiyinchilik... 353 00:31:28,900 --> 00:31:31,940 Men skriptimga deyarli qaramayman bir marta yozilgan 354 00:31:32,059 --> 00:31:35,019 oldingi kechqurun bundan mustasno sahna suratga olinadi. 355 00:31:35,150 --> 00:31:37,980 Unda hamma narsa puxtalik bilan tayyorlangan. 356 00:31:38,099 --> 00:31:42,769 Men buni kechadan o'tkazdim, qaysi men yaxshilab la'nat. 357 00:31:44,349 --> 00:31:46,269 Hammasi. 358 00:31:46,400 --> 00:31:51,529 Ko'rib chiqilayotgan ketma-ketlikka qarab - uzunligi taxminan bir sahifa ... 359 00:31:51,650 --> 00:31:54,730 Menimcha, suratga olish uchun taxminan bir kun kerak bo'ldi. 360 00:31:54,849 --> 00:31:58,059 Bu erda yozishda ko'p narsa yo'q. 361 00:31:58,190 --> 00:32:05,859 Men hech narsa kiritmadim kamerani sozlash haqida. 362 00:32:05,980 --> 00:32:10,519 Ular o'sha kuni hal qilinadi, bilganingizni his qilsangiz 363 00:32:10,650 --> 00:32:13,480 aynan siz buni qanday qilishni xohlasangiz. 364 00:32:13,599 --> 00:32:18,099 Bu yerda yozganlarimning hammasi, o'zimga eslatib qo'ysam, bu: 365 00:32:18,230 --> 00:32:21,730 "N.B. Jismoniy og'riq." 366 00:32:22,849 --> 00:32:25,559 Bu sahnaning mohiyati shundan iborat. 367 00:32:25,690 --> 00:32:29,769 U keladi. Avvaliga u hayratda qoldi. 368 00:32:30,940 --> 00:32:35,190 Keyin, birdaniga, 369 00:32:35,309 --> 00:32:38,690 uning borlig'ida dahshatli jismoniy og'riq ko'tariladi. 370 00:32:39,650 --> 00:32:43,069 Keyin u og'riqni qoplashga harakat qiladi 371 00:32:43,190 --> 00:32:46,019 qo'lini qarshi surish orqali shisha parchalari. 372 00:32:46,150 --> 00:32:52,859 Boshqa hech narsa kompensatsiya sifatida ishlamaydi. U og'rig'ini muvozanatlashga harakat qiladi. 373 00:32:56,559 --> 00:33:01,480 U haqiqatda ekanligini bilish uni xafa qildi, u qoldi, 374 00:33:01,599 --> 00:33:04,269 uning uchun juda dahshatli ... 375 00:33:08,230 --> 00:33:10,440 ... bu uni jismonan kasal qiladi. 376 00:33:12,059 --> 00:33:16,599 Bibi bilan men bu borada muammolarga duch keldik 377 00:33:16,730 --> 00:33:22,150 chunki biz shunga o'xshash narsalarni boshdan kechiramiz turli yo'llar bilan. 378 00:33:22,269 --> 00:33:26,769 Men hayotimda ba'zan his qilganman shunday dahshatli yo'qotish hissi 379 00:33:26,900 --> 00:33:29,359 bu bilan qanday kurashishni bilmayman. 380 00:33:29,480 --> 00:33:34,309 Buni Bibi ham his qilganini tasavvur qildim. Ammo u buni boshqacha ifodalaydi. 381 00:33:35,269 --> 00:33:37,099 Siz ochasiz ... 382 00:33:37,809 --> 00:33:42,349 U sekin harakat qilmaydi. U birinchi bo'lib u erga kiradi. 383 00:33:44,269 --> 00:33:46,730 - Bu yaxshi ishlaydi. - Yaxshi. 384 00:33:52,150 --> 00:33:57,319 U yana u yerga qaramaydi. U shu yerga qaraydi. Keyin kalitlar. 385 00:33:57,440 --> 00:34:01,019 - Hozir kalitlarni ko'ryapsizmi? - Jadval biroz harakatlanishi kerak. 386 00:34:01,150 --> 00:34:05,690 - Bu g'alati ko'rinadi. - Yo'q, faqat kresloni burchakka qo'ying. 387 00:34:05,809 --> 00:34:10,980 Bu yaxshiroq bo'lardi. Bu juda ko'p joy egallamaydi. 388 00:34:16,730 --> 00:34:21,110 Kreslo ketishi mumkin edi pechka yonida ham. 389 00:34:40,519 --> 00:34:41,980 Kes! 390 00:34:46,309 --> 00:34:49,940 - Bu shimlar yaxshi emas. - Ularga nima bo'ldi? 391 00:34:51,059 --> 00:34:56,059 Ular yaxshi emas. Ular juda ajoyib ko'rinadi. 392 00:34:58,769 --> 00:35:01,349 Ular juda jozibali ko'rinishga ega. 393 00:35:01,480 --> 00:35:05,400 - Lekin u odobli xonim. - To'g'ri, lekin ular qonli ko'rinadi ... 394 00:35:05,519 --> 00:35:09,730 Ular unchalik oqlangan emas - bir necha kvidga faqat trikotaj shim. 395 00:35:09,849 --> 00:35:15,679 Ammo ular biroz g'alati ko'rinadi, dengizchilarning sumkalari kabi, biroz kulgili. 396 00:35:16,769 --> 00:35:19,480 Ushbu jiddiy sahnada. 397 00:35:19,599 --> 00:35:22,599 - Mago! - Boshqa shimlarimiz bormi? 398 00:35:23,940 --> 00:35:27,860 Sizda quyuq qizil ranglar bor. Ular qattiq. 399 00:35:27,980 --> 00:35:33,230 - Siz xavfsizlik vositasidan foydalanishingiz mumkin... - Ular bu palto bilan dahshatli ko'rinadi. 400 00:35:33,349 --> 00:35:39,730 Bu bilan baxmal shimlar... Kiyinish hissi juda yomon. 401 00:35:39,849 --> 00:35:45,309 - Men sizni dahshatli ko'rinishingizni xohlamayman. - Menga farqi yo'q. 402 00:35:45,440 --> 00:35:47,900 Bu ruh! 403 00:35:48,019 --> 00:35:50,309 Chiroqlarni o'ldira olamizmi? 404 00:35:52,519 --> 00:35:54,309 - Bibi? - Ha? 405 00:35:54,440 --> 00:35:57,730 Eshiting... Bu yerga bir soniya kela olasizmi? 406 00:36:01,769 --> 00:36:06,059 Buni tomosha qiling. Men sizga ko'rsatishga harakat qilaman bu qanday ko'rinadi. 407 00:36:06,599 --> 00:36:11,179 Yoki biz Polaroidni olamiz sizga nimani nazarda tutayotganimni ko'rsatish uchunmi? 408 00:36:11,309 --> 00:36:15,269 - Chiroqlarmi? - Ularni yoqing va biz Polaroidni olamiz. 409 00:36:16,190 --> 00:36:18,980 U erda profilda turing u qilganidek. 410 00:36:21,349 --> 00:36:23,269 U yerda. 411 00:36:27,269 --> 00:36:30,769 Bir oz harakatlantiring ... U yerda. To'g'ri. 412 00:36:36,269 --> 00:36:40,849 - Endi asabiylashmang! - Men {\i1}juda{\i0} asabiyman. 413 00:36:40,980 --> 00:36:45,480 - Siz... - Magodan so'rang. U mening liboslar dizaynerim. 414 00:36:45,599 --> 00:36:50,929 - Sizning fikringiz... - Men sizga va'da beraman, mening fikrim yo'q. 415 00:36:51,059 --> 00:36:56,349 Bu men o'ylagan narsa. Lekin menda hech qanday fikr yo'q qahramon qanday kiyinishi haqida. 416 00:37:01,099 --> 00:37:07,730 Bu biroz o'tkir, bir oz jozibali ko'rinadi, qaysidir ma'noda ... 417 00:37:13,559 --> 00:37:16,190 - Chiroyli qiz. - Ha... 418 00:37:16,309 --> 00:37:21,559 - Demak, siz boshqalarni yoqtirmaysiz... - Men, lekin ular bunga rozi emas. 419 00:37:21,690 --> 00:37:25,570 - Bu erda muhimmi? - Yo'q, muammo emas. 420 00:37:25,690 --> 00:37:29,860 - Siz ularni kiyishni yomon ko'rmaysizmi? - Arzimaydi. Ammo ular juda engil. 421 00:37:29,980 --> 00:37:35,150 Men kiyganga o'xshayman qishki ko'ylagi va yozgi shim. 422 00:37:35,269 --> 00:37:37,849 - Ko'rasiz... - Jigarrang jinsi shimingmi? 423 00:37:37,980 --> 00:37:41,900 - Ha, o'shalar. - Ular yashil, lekin ular ham engil. 424 00:37:42,019 --> 00:37:45,849 - To'g'ri. Ular juda yengil. - Men xato qilgan bo'lishim mumkin. Ko'raylikchi. 425 00:37:47,440 --> 00:37:50,730 Haqiqatan ham nima muhim Sizning birinchi sozlashingiz. 426 00:37:50,849 --> 00:37:58,309 Agar birinchi sozlash noto'g'ri bo'lsa, keyingi barcha tortishishlar noto'g'ri bo'ladi. 427 00:37:58,440 --> 00:38:05,769 Agar birinchi o'rnatish to'g'ri bo'lsa, qolganlari o'z-o'zidan paydo bo'ladi. 428 00:38:05,900 --> 00:38:07,730 431, 2-ni oling. 429 00:38:10,059 --> 00:38:13,139 U tekis eshikni ochadi o'z kaliti bilan. 430 00:38:13,269 --> 00:38:17,269 Bu bo'sh va jim. Devid yuklarini yig‘ib, jo‘nab ketdi... 431 00:38:44,099 --> 00:38:47,559 Bunday manzara meni ikkilanadi, 432 00:38:47,690 --> 00:38:49,940 skriptni o'qiyotganimda. 433 00:38:50,059 --> 00:38:55,349 Bu juda hissiy jihatdan zaryadlangan Hammasini teatrlashtirilgan qilish oson. 434 00:38:55,480 --> 00:39:02,559 Aslida qanday ekanligingizni bilish qiyin xonada yolg'iz o'zini tuting. 435 00:39:02,690 --> 00:39:06,769 Men biroz bezovtalikni bildirdim o'sha sahna haqida. 436 00:39:06,900 --> 00:39:10,280 Ingmar menga bir necha kun oldin aytdi ... 437 00:39:14,440 --> 00:39:19,860 “Siz... ikki tonna og‘irlikda bo‘lishingiz kerak 438 00:39:19,980 --> 00:39:22,650 "Va shunchaki harakat qiling va harakat qiling. 439 00:39:22,769 --> 00:39:27,809 "Ko'chib o'tish juda qiyin hech narsa yo'qligini his qilganingizda ... 440 00:39:28,980 --> 00:39:31,519 “...hayotda chidamlilik qolmadi. 441 00:39:31,650 --> 00:39:37,230 "Ko'z yoshlarini chiqarish o'rniga, yoki hissiy jihatdan bu erda ... " 442 00:39:37,349 --> 00:39:40,309 U buni shunday ko'rdi. 443 00:39:40,440 --> 00:39:44,150 Bu juda taklif, ifoda etish ham qiyin. 444 00:39:44,269 --> 00:39:50,400 Ikki tonna og'irlikni qanday ko'rsatasiz? Yoki bu metaforami? 445 00:39:51,849 --> 00:39:56,519 Lekin u tushuntirdi mening butun kirish joyim - 446 00:39:56,650 --> 00:39:59,860 aynan qanday qilib men shoshilib kirishim kerak 447 00:39:59,980 --> 00:40:02,480 va bo'sh kvartirani toping. 448 00:40:02,599 --> 00:40:08,309 Ssenariyda shunday deyilgan Dovudning minglab izlari bor. 449 00:40:08,440 --> 00:40:12,190 U shippak va boshqa narsalarni tashlab ketgan. 450 00:40:12,309 --> 00:40:14,599 Ammo u buni qayta yozdi: Dovud to'plagan edi 451 00:40:14,730 --> 00:40:18,690 va farrosh bo'lgan va butun joyni tozaladi. 452 00:40:18,809 --> 00:40:23,099 Shunday qilib, ob'ektlar yo'q edi o'tirib yig'lamoq, 453 00:40:23,230 --> 00:40:25,900 tortmasidan topib olgan harflarni yoping. 454 00:40:26,019 --> 00:40:29,440 - Xavfsizlik uchun bu otishmani qilaylik. - Ha. 455 00:40:33,440 --> 00:40:36,690 - Kalitlarda. Keyin yuqoriga eging. - To'g'ri aytasiz. 456 00:40:36,809 --> 00:40:40,099 Avval bu yerda, keyin yuqoriga! Keling, hozir ko'ramiz ... 457 00:40:40,230 --> 00:40:42,860 Bir soniya kel, Bibi. 458 00:40:42,980 --> 00:40:46,269 Balki faqat kalitlarga qattiq la'nat. 459 00:40:46,400 --> 00:40:48,780 - Keyin yuqoriga. - Ha. 460 00:40:48,900 --> 00:40:50,690 433, 1ni oling. 461 00:40:54,400 --> 00:40:55,820 Harakat! 462 00:40:56,309 --> 00:40:57,769 Kechirasiz... 463 00:41:04,809 --> 00:41:08,230 - Kes! - Diqqatni tekshiring, iltimos! 464 00:41:09,150 --> 00:41:12,530 Kalitlar qayerda tugaydi mening diqqat markazim edi ... 465 00:41:12,650 --> 00:41:15,650 Endi xafa bo'lmang. 466 00:41:15,769 --> 00:41:20,559 Siz bu biznes uchun turishingiz kerak o'z filmlaringizni ishlab chiqarish. 467 00:41:20,690 --> 00:41:24,190 Qurollaringizga mahkam turing! Faqat o'n to'rt kun qoldi. 468 00:41:24,309 --> 00:41:28,639 Keyinchalik siz bu va boshqa narsalarni tejashni boshlashingiz mumkin. Kesilgan narxdagi köftelarni iste'mol qiling. 469 00:41:28,769 --> 00:41:30,400 Men allaqachon qilaman! 470 00:41:31,480 --> 00:41:35,440 Men tuzlangan bodringni o'tkazib yuborishni boshlayman va boshqa turli xil narsalar. 471 00:41:36,269 --> 00:41:37,980 O'rashga tayyor. 472 00:41:41,980 --> 00:41:43,400 Tayyormisiz? 473 00:41:43,519 --> 00:41:46,519 - Yo'q! - Ularni aylantiring! 474 00:41:50,230 --> 00:41:51,610 Harakat! 475 00:41:55,269 --> 00:42:00,190 - Kengroq zarbalar bilan yaxshi. - To'g'ri. 476 00:42:00,309 --> 00:42:03,690 Avval keng zarba, keyin harflar bilan yaqindan. 477 00:42:03,809 --> 00:42:06,389 Xatni qayerda suratga olishimiz mumkin? 478 00:42:06,519 --> 00:42:11,480 U tortmasini tortib olganida. Bu tomonda turishimiz mumkinmi? 479 00:42:11,599 --> 00:42:13,599 Keyin u erga ko'chib o'tamiz. 480 00:42:13,730 --> 00:42:17,730 Keyin qo'li bilan pastga egilib, harflarda, keyin esa yuzida. 481 00:42:17,849 --> 00:42:19,849 Bu kabi... 482 00:42:22,440 --> 00:42:27,019 - 10 mingni o'ldiring! - Allaqachon o'ldirilgan. Bu boshqa chiroq ... 483 00:42:27,980 --> 00:42:32,690 - Bu 5Kmi? - Bu 2K, u erda yorug'lik. 484 00:42:32,809 --> 00:42:36,389 Bu paxta momig'ida edi. 485 00:42:36,519 --> 00:42:41,690 - Agar kesib olsak... - O'sha 2Kni ham kesib tashlang! 486 00:42:41,809 --> 00:42:44,599 - Qaysini o'ldir? - 2K. 487 00:42:48,349 --> 00:42:50,559 - Mana. - Bo'ldi shu. 488 00:42:50,690 --> 00:42:56,480 Ishlash haqida bir necha so'z ayta olasizmi? kinooperator Sven Nykvist bilanmi? 489 00:42:56,599 --> 00:43:00,179 Juda oz so'z. Buni tasvirlash juda qiyin. 490 00:43:00,309 --> 00:43:04,559 Yorug'likda bizda umumiy asos bor. Men o'zim yorug'lik bo'yicha direktorman. 491 00:43:04,690 --> 00:43:09,610 Men har doim, yillar davomida, o'zimning teatr asarlarimni yoqib yubordim. 492 00:43:10,849 --> 00:43:14,809 Nur meni butun hayotim davomida qiziqtirdi. 493 00:43:14,940 --> 00:43:19,769 Aslida, mening barcha vizual tajribalarim ... 494 00:43:19,900 --> 00:43:24,400 ... nurga asoslangan. 495 00:43:25,730 --> 00:43:33,150 Sven va mening munosabatlarim butunlay yorug'likni qanday boshdan kechirganimizga asoslanadi. 496 00:43:33,900 --> 00:43:39,610 Shunday qilib, biz narsalarni yaxshilab ko'rib chiqamiz suratga olish boshlanishidan oldin, ssenariy bilan, 497 00:43:39,730 --> 00:43:43,610 qanday yoritish haqida har bir sahnada bo'lishi kerak. 498 00:43:43,730 --> 00:43:45,690 433B, 2-ni oling. 499 00:43:49,349 --> 00:43:50,980 Harakat! 500 00:44:23,730 --> 00:44:25,190 Kes! 501 00:44:25,309 --> 00:44:30,440 Sven bir nechta yorug'lik daholaridan biridir kino olamida. 502 00:44:30,559 --> 00:44:34,230 Uning o'ziga xos mahorati bor 503 00:44:34,349 --> 00:44:38,679 bitta chiroqdan foydalanish imkoniyati, yoki ikki yoki uch, 504 00:44:38,809 --> 00:44:43,099 oldiga yog'li qog'oz o'rnatilgan, va uni to'g'ri o'ldirish. 505 00:44:43,230 --> 00:44:46,650 Vizör orqali tez ko'rish va men buni ajoyib deb bilaman. 506 00:44:46,769 --> 00:44:50,980 Biz bir-birimizni rag'batlantirdik, g'oyalarni uyg'otadi. 507 00:44:51,099 --> 00:44:55,559 Kamerani joylashtirish oson sahnani yoritish bilan solishtirganda - 508 00:44:55,690 --> 00:44:57,690 yuzga qanday yorug'lik tushadi. 509 00:44:58,690 --> 00:45:01,070 Bu chuqur maftunkor. 510 00:45:02,019 --> 00:45:08,440 Odamlar ma'yus, fojiali filmlar haqida o'ylashadi g'amgin, fojiali studiyalarda suratga olinadi. 511 00:45:08,559 --> 00:45:12,139 Lekin buning aksi haqiqat. Bu ishlamaydi deb o'ylamayman - 512 00:45:12,269 --> 00:45:16,099 ma'yus ishlar bilan sarson bo'lish va g'amgin bo'lish. 513 00:45:16,230 --> 00:45:19,900 Bu professional masala: Biz shu erda boshlaymiz va u erda tugatamiz. 514 00:45:20,019 --> 00:45:23,809 Biz bu erda baxtsiz bo'la boshlaymiz va u erda baxtsiz bo'lishni tugat. 515 00:45:23,940 --> 00:45:26,480 Keyin biz dam olamiz. 516 00:45:26,599 --> 00:45:30,019 Polar ayiqlar u yoqdan-bu yoqqa mana shunday qadam tashlaydi... 517 00:45:30,150 --> 00:45:33,860 Agar biz loydan baxtsiz bo'lsak, bizda hech qachon energiya bo'lmaydi 518 00:45:33,980 --> 00:45:39,809 bu maksimal ruhiylikni chiqarish uchun ma'lum bir holatda intensivlik. 519 00:45:39,940 --> 00:45:44,570 Bu intensivlik suyultiriladi kun davomida. 520 00:45:44,690 --> 00:45:50,400 O'sha "havaskor" bilan Drayer - agar bu jiddiy film suratga olinayotgan bo'lsa, 521 00:45:50,519 --> 00:45:54,809 u studiyada kulmasdi, na hushtak, na qahva. 522 00:45:54,940 --> 00:45:58,900 Hamma o'ylanmoqchi edi ho'l adyol kabi hamma la'nati loy. 523 00:45:59,019 --> 00:46:02,730 Bu sizga kerak bo'lgan narsaning aksi. 524 00:46:02,849 --> 00:46:06,059 Bu noprofessional ish usuli. 525 00:46:06,190 --> 00:46:12,730 Siz aktyorning ajoyibligidan foydalanishingiz kerak, chaqmoq quvvati 526 00:46:12,849 --> 00:46:15,519 vaziyatni qabul qilish va unga moslashish. 527 00:46:15,650 --> 00:46:18,610 Va uni ham, chaqmoq tezligi bilan qoldiring. 528 00:46:20,440 --> 00:46:22,230 Aynan! 529 00:46:24,900 --> 00:46:27,070 Rejissorlik shu. 530 00:46:28,599 --> 00:46:30,849 To'plamda jim! 531 00:46:35,190 --> 00:46:36,650 Harakat! 532 00:46:57,309 --> 00:47:00,440 - Men... - Hech narsa qilishingiz shart emas. 533 00:47:04,150 --> 00:47:06,070 Shu yerda to‘xtang. 534 00:47:06,190 --> 00:47:10,230 U erda qum yostig'i belgisi bo'lishi mumkin. Keyin eshikdan chiqib ketasiz. 535 00:47:10,349 --> 00:47:14,769 - Ikkinchi konturmi? - KELISHDIKMI. Ammo keyin eshikdan tashqariga. 536 00:47:17,900 --> 00:47:23,860 Yana Bibi. Va bir xil tezlikda turing shuning uchun Sven davom eta oladi. Yana bir bor... 537 00:47:23,980 --> 00:47:27,269 - Sen oʻtir. - Men u erda yuraman, keyin boshqa aylanma. 538 00:47:27,400 --> 00:47:29,440 Ko‘ramiz. To'g'ri... 539 00:47:32,059 --> 00:47:34,980 Hujjatli film kamerasi bizni bezovta qilmoqda. STOP! 540 00:47:36,019 --> 00:47:38,730 Siz shovqin qilyapsiz. 541 00:47:38,849 --> 00:47:43,139 Va siz otishmada edingiz, xirilladi. 542 00:47:44,269 --> 00:47:47,019 Shunday qilib, biz sizni u erda bo'la olmadik. 543 00:47:47,150 --> 00:47:48,900 Lekin... 544 00:47:49,019 --> 00:47:52,900 Ammo u erda asoratlar paydo bo'ldi, 545 00:47:53,019 --> 00:47:56,519 Bibi va men oramizdagi munosabatlarda. 546 00:47:56,650 --> 00:48:02,230 Bibining fikri bor edi. Lekin boshqa niyatlarim bor edi. 547 00:48:02,349 --> 00:48:05,849 Ammo asta-sekin kelishib olishimiz mumkin edi. 548 00:48:11,809 --> 00:48:14,480 Bibi buni o'z yo'lida qildi. 549 00:48:15,900 --> 00:48:18,650 Va men buni ko'rganimdek, bu juda ta'sirli edi. 550 00:48:22,769 --> 00:48:29,230 Jismoniy og'riq uning oyoq-qo'llariga tarqaladi. Ko'zlari qichiydi. Nafas olishda qiyinchilik. 551 00:48:48,650 --> 00:48:50,480 Yo'q... 552 00:49:55,519 --> 00:49:56,559 Kes! 553 00:49:57,349 --> 00:50:00,389 Shunday kunlardan biri Men film suratga olishni to'xtataman. 554 00:50:00,519 --> 00:50:05,849 Ehtimol, o'zimning zavqim uchun, Men tajribaga o'taman. 555 00:50:05,980 --> 00:50:10,059 Mening shaxsiy Nagra magnitafonim bor va mening Arriflex kameram. 556 00:50:11,519 --> 00:50:16,099 Chunki filmlar suratga olish nafaqat ruhiy charchatadi. 557 00:50:16,230 --> 00:50:18,940 Bu hatto jismonan charchatadi. 558 00:50:19,059 --> 00:50:25,599 60 yoshdan oshgan rejissyorlar juda kam 559 00:50:25,730 --> 00:50:29,480 endi har qanday ishni qilish. 560 00:50:29,599 --> 00:50:32,599 Buni qilishimning sababi, men xohlayman. 561 00:50:32,730 --> 00:50:36,650 Men har doim xohlardim. bilmayman istak qayerdan keladi. 562 00:50:36,769 --> 00:50:39,599 Menda aloqaga katta ehtiyoj bor. 563 00:50:39,730 --> 00:50:43,610 Boshqa odamlarga ta'sir o'tkazish istagi, 564 00:50:43,730 --> 00:50:48,769 va boshqa odamlarga teging tanada ham, ongda ham - 565 00:50:48,900 --> 00:50:51,940 ular bilan muloqot qilish. 566 00:50:55,059 --> 00:50:59,269 Film, albatta, fantastik vositadir. 567 00:50:59,400 --> 00:51:03,650 O'z hamkasblariga teginish uchun. 568 00:51:03,769 --> 00:51:06,019 Ular bilan aloqa o'rnatish uchun. 569 00:51:06,150 --> 00:51:10,360 Yoki ularni g'azablantirish uchun yoki ularga zavq bag'ishlash uchun. 570 00:51:10,480 --> 00:51:13,940 Ularni xafa qilish uchun. Ularni o'ylashga majbur qiling. 571 00:51:15,980 --> 00:51:19,360 Ularni hissiy jihatdan harakatga keltiring. 572 00:51:19,480 --> 00:51:27,309 Bu eng ichki sababdir kino bilan ishlaganim uchun. 573 00:51:29,480 --> 00:51:32,730 Ochilish ketma-ketligidan Shaxsda. 574 00:52:45,849 --> 00:52:52,599 Filmni suratga olishda nimadir bor Men juda bog'liq bo'lgan ishning o'zi. 575 00:52:53,309 --> 00:52:59,019 Bu xuddi teatrda ishlashga o'xshaydi. Siz jamoaning bir qismisiz. 576 00:52:59,150 --> 00:53:03,570 Agar men kabi, siz nisbatan injiq bo'lsangiz, uyatchan va qo'rqoq odam ... 577 00:53:05,980 --> 00:53:11,110 ...aloqani qiyin deb biladigan, chuqur, 578 00:53:11,230 --> 00:53:15,110 juda yaxshi, 579 00:53:15,230 --> 00:53:21,860 o'sha kino ishchilari jamoasida yashash, film yaratish. 580 00:53:22,769 --> 00:53:27,059 Yoki o'sha teatr jamoasida, sahnaga chiqish. 581 00:53:27,190 --> 00:53:33,730 Bu erda faqat bitta narsa muhim - siz hamma narsani, har bir lahzani berishingiz. 582 00:53:33,849 --> 00:53:36,309 Boshqa hech narsa qilmaydi. 583 00:53:36,440 --> 00:53:41,070 Siz o'zingizni bunga investitsiya qilishingiz kerak, yaxshi yoki yomon uchun. 584 00:53:41,190 --> 00:53:45,519 Siz tavakkal qilishingiz kerak o'zingizni ahmoq qilish. 585 00:53:45,650 --> 00:53:48,820 Odamlar uchun xavf yuzingizga kuladi. 586 00:53:48,940 --> 00:53:51,190 Buning hech qanday ahamiyati yo'q. 587 00:53:53,230 --> 00:53:58,059 Kino va teatr ishi orqali, siz doimo aloqadasiz 588 00:53:58,190 --> 00:54:01,320 boshqa odamlar bilan. 589 00:54:02,519 --> 00:54:06,400 Siz ichkariga kirasiz boshqa odamlarning muammolari - 590 00:54:06,940 --> 00:54:11,269 aktyorlar, texniklar... 591 00:54:13,150 --> 00:54:18,320 Siz doimo ehtiyojga duch kelasiz empatiyaning ma'lum bir shakli uchun. 592 00:54:20,269 --> 00:54:23,480 Va bu juda sog'lom. Va ajoyib zavq. 593 00:54:25,480 --> 00:54:28,690 Bu tinimsiz maftunkor. 594 00:54:28,809 --> 00:54:32,139 Asosiy stimul shundan kelib chiqadi 595 00:54:32,269 --> 00:54:36,349 tirik odamlar bilan doimiy aloqada. 596 00:54:37,519 --> 00:54:43,190 Chegara bor deysiz kino ijodkori bo'lgan vaqtingizga. 597 00:54:43,309 --> 00:54:45,889 Sizningcha, filmning kelajagi bormi? 598 00:54:46,019 --> 00:54:49,900 Ajoyib kelajak. Shunchaki tuzatish bo'ladi. 599 00:54:50,019 --> 00:54:52,650 Buning hech qanday oqibati yo'q ... 600 00:54:52,769 --> 00:54:59,309 Kanalchi sifatida film, 601 00:54:59,440 --> 00:55:05,269 xayolparastlar va orzular uchun distribyutor 602 00:55:05,400 --> 00:55:08,860 bu odamlarning orzularini amalga oshiradi 603 00:55:08,980 --> 00:55:12,980 va ularning istaklari va eng sirlari sog'inchlar... Film hamisha biz bilan bo'ladi. 604 00:55:13,099 --> 00:55:15,929 Bundan yaxshiroq vosita yo'q. 605 00:55:20,440 --> 00:55:21,519 Kes!